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Most of us probably remember what occurred during the Baltimore protests in But Baltimore Rising is something altogether different, capturing the city after year-old black man Freddie Gray died while under police custody.
For those of you that envision the Baltimore riots as if it was an apocalyptic movie scene—the initial scenes will not necessarily disprove this dystopian imagery— Baltimore Rising will expose you to the greater picture of the aftermath, giving a nuanced perspective of an event that shook the social and political landscape of the country.
On May 31, , two twelve-year-old girls took their best friend to the woods and stabbed her 19 times, acting under the delusion that they might appease an internet demon known as Slenderman.
The camerawork in court, makes you feel like you're really there, sitting alongside the spectators. In an emotional collection of personal footage, award-winning documentary filmmaker Dana Perry guides us through the life of her bipolar son leading up to his suicide at the age of fifteen.
The documentary, titled after the acclaimed novel Girl, Interrupted , is a front-row seat to the metamorphosis of mental health.
Equally subtle and abrasive, Boy, Interrupted centers on a storyline that has deeply affected this family and remains the reality of countless others.
Some people seem to live a hundred lives, and those are the ones who make the best documentary subjects. And Galactic overlord Xenu, ancient prison planets, and child abuse are what separate the defectors from the brainwashed.
Ron Hubbard himself. Acclaimed documentarian Barbara Kopple won her first of two Academy Awards for this incendiary look at the Brookside Strike formed by coal miners employed by the Eastover Coal Company in southeast Kentucky.
The film depicts the complex nature of the American coal mining industry at large a topic very prevalent in today's political climate , as well as the at-times violent clashes between the striking miners and their wives and the Eastover supporters and scabs—which left at least one striking miner dead.
Errol Morris's best known film is, by his definition, a work of non-fiction rather than a documentary. It follows Randall Dale Adams, who at the age of 26 was arrested, convicted, and sentenced to the death penalty for the murder of a police officer in Dallas, Texas—a crime Adams did not commit.
Reenacting the events leading up to the murder and including interviews with Adams and other players in the case, Morris's film made a strong case for a miscarriage of justice—so much so that the case was reviewed a year after the film's release, and Adams's conviction was overturned.
Gates and Agee are recruited from their inner-city high schools to attend the suburban St. Joseph High School in Westchester, Illinois, and play in its renowned basketball program.
Hoop Dreams depicts the culture shock Gates and Agee experienced in the predominantly white high school, to which the two boys commuted 90 minutes every day.
A modern masterpiece of documentary filmmaking, the film stirred controversy when it was shut out of the Best Documentary category at the Academy Awards—its sole Oscar nomination was for Best Film Editing.
In , Michael Apted profiled 14 children for his Granada Television special 7 Up , viewing the group as representative of England at large across the country's socio-economic system.
Every seven years, Apted returned to his subjects those that chose to participate, anyway to see how life changed for each one—and how their dreams, fears, and philosophies evolved with time.
The Up Series now includes eight films 56 Up was released in , and Apted has stated his intentions to continue the project. It remains a fascinating study of how class plays a major role in British culture, but also how the human experience is one that is ultimately universal, despite the specifics that we encounter as individuals.
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The Forty-Year-Old Version. It confounds, challenges and ultimately enlightens. Frederick Wiseman's examination of a Philadelphia school is so subtle in its social critique that you might think it's merely about education.
But remember what was going on in America at the time: Suddenly, the authority figures stamping out individualism and the frustrated kids being force-fed bankrupt values don't seem so innocuous.
It's eight hours of the Empire State Building in a single shot, with no sound. But call Andy Warhol's minimalist masterpiece "boring" at your own peril.
The sunlight fades. A Manhattan evening blooms. Architecture becomes mythic. Warhol's notion of iconic repetition gains power. Admit it: You wish you had thought of this.
Premiering less than a year after the Tet Offensive, Emile de Antonio's scathing indictment of the Vietnam War excels at using the contradictory statements of the military brass, troops and politicians against them.
This was the movie that proved Moore was a peerless propagandist—and demonstrated that he was just warming up. An essential piece of cinema history, the Lumire brothers' second film is an unedited shot of a locomotive pulling into a provincial French station.
It's often credited as the first movie exhibited for a paying audience; several spectators reportedly dove for cover, convinced the train would break through the screen.
Even at this early date, the impact of cinema was enormous. Her thoughts on the passage of time and her own mortality turn a slight anthropological profile into a profound meditation on life.
Like most families, the Friedmans of Great Neck took video of themselves in their moments of joy and celebration.
Unlike most clans, however, this one would be torn apart by sexual abuse, incest and a criminal conviction. They left the cameras rolling, even as their lives unraveled; director Andrew Jarecki shaped the found footage into a heartbreaker.
Meet the Beales, "Big Edie" and "Little Edie," former socialites who live in a run-down mansion with lots of cats and no running water.
This mesmerizing Maysles-brothers doc inspired a sequel consisting of unreleased footage, an HBO film and even a Broadway musical. Who knew that two isolationist eccentrics could so powerfully capture the public imagination?
Just as the shred-metal kings' castle was crumbling, they opened up their recording sessions to a curious crew led by Joe Berlinger and Bruce Sinofsky, who caught them at their ugliest.
With careers at stake, a life coach was called upon for therapy. The resulting chronicle is an unprecedented peek into corporatized rebellion and creative rebirth.
Sorrow and pity: perfectly reasonable reactions to the Holocaust. Yet Marcel Ophls's staggering indictment of French collaboration with Nazi Germany is after an emotion far more insidious—something close to shared national shame.
A decade after the movie's initial release, it still couldn't be aired on Paris's televisions. Simple hook: Fourteen British schoolchildren would be interviewed every seven years, well into adulthood.
Eight installments later a ninth is scheduled for , Michael Apted's frequently heartbreaking series continues to provide profound insight into the unpredictable paths that life can take.
But a traumatic breakup refocused things: He'd still follow the path, but would look for romantic attachment along the way. This strikingly perceptive doc is so intimate, it hurts.
Highway traffic swirls in time-lapse photography, the sun rises and sets, and swarms of people cruise up escalators like hot dogs on a conveyer belt.
Viewers still debate whether Godfrey Reggio's "pure film" amounts to more than a fuzzy anti-industrial screed. But the shots—and Philip Glass's seismically important score—are hypnotic.
Inclement weather and a war between Peru and Ecuador ground filming to a halt—but egotistical star Klaus Kinski made all complications seem quaint.
Errol Morris loves giving kooks a forum, but with this collection of "lessons," the filmmaker ceded the spotlight to a much more divisive American figure: former Secretary of Defense Robert McNamara, the architect of the Vietnam War.
What he doesn't say about his part in history is almost as telling as what he does. On an early, gray morning in August , tightrope-walker Philippe Petit stepped out into an impossible void, the space between the Twin Towers, and danced for an hour.
No other film, fictional or otherwise, more fully restores—poetically, with antic humor—our city's loss as does James Marsh's stunner.